Vol. 3 No. 2 (2019)

Articles

Pamela J. Olubunmi Smith
1-13
Requiem – Alàgbà, Dr., Prince, Mosọbalájé Ajíbádé Àkàndé Adébáyọ̀ Fálétí, OON, DLitt., FNAL, JP, a.k.a ‘Pa Fálétí’ to Some; ‘Bàbá Fálétí’ to all and Sundry.
https://doi.org/10.32473/ysr.v3i2.129977
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Adeshina Afolayan
1-10
Fálétí’s Philosophical Sensibility
https://doi.org/10.32473/ysr.v3i2.129978
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Michael Oladejo Afoláyan
1-23
Iconic Celebration of Charms and Friendship in Poetry: Fálétí’s “Adébímpé Ọ̀jẹ́dòkun”
https://doi.org/10.32473/ysr.v3i2.129979
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Adedotun Ogundeji
1-10
The Exordium of Adébáyọ̀ Fálétí’s Poetry
https://doi.org/10.32473/ysr.v3i2.129985
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Arinpe Adejumo , Adefemi Akinseloyin
1-16
Intertextuality in Selected Narrative Poems of Adébáyọ̀ Fálétí
https://doi.org/10.32473/ysr.v3i2.129986
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Abidemi Bolarinwa
1-17
Women in Adébáyọ̀ Fálétí’s Poetry
https://doi.org/10.32473/ysr.v3i2.129987
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Lere Adeyemi
1-6
Alàgbà Adébáyọ̀ Fálétí as a Yorùbá Novelist
https://doi.org/10.32473/ysr.v3i2.129988
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Sola Owonibi
1-12
The Dialectics of Political Ideology and Power Relations in African Literature: A Reading of Adébáyọ̀ Fálétí’s Baṣọ̀run Gáà
https://doi.org/10.32473/ysr.v3i2.129989
Olayinka Agbetuyi
1-13
Authority and Moral Conflicts in the Films of Adébáyọ Fálétí: Àfọ̀njá, Gáà, Ṣawo Ṣẹ̀gbẹ̀rì and the Yorùbá Cosmopolis
https://doi.org/10.32473/ysr.v3i2.129990
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Toluwanimi Ibikunle
1-6
Adébáyọ̀ Fálétí, Icon on Screen
https://doi.org/10.32473/ysr.v3i2.129991
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