Vol. 7 No. 2 (2022)

Vol. 7 No. 2 (2022)

Published January 19, 2023
https://doi.org/10.32473/ysr.7.2

Articles

Sheneese Thompson
1-16
The Proliferation of Yorùbá Religion in the Atlantic during the Nineteenth Century: The Portability of the Orisha
https://doi.org/10.32473/ysr.7.2.132800
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Adetayo Alabi
1-18
Wole Soyinka’s Ori Olokun Emprise and Autobiography
https://doi.org/10.32473/ysr.7.2.132801
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Olusegun i Olu-Osayomi
1-16
Yoruba Festival and the Dramatist: Satire as Spine in Soyinka’s A Dance of the Forests
https://doi.org/10.32473/ysr.7.2.132802
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Olusegun Adebolu Oladosu
1-20
Preservation of Yoruba Indigenous Drumming Heritage
https://doi.org/10.32473/ysr.7.2.132803
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Oladiipo Ajiboye
1-24
Marriage and the Concept of Ubale, the Sanctity and the Ridicule: Ulale-Mobà as a Case Study
https://doi.org/10.32473/ysr.7.2.132804
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Michael Olaniyi Ajadi
1-24
Proverbial Expressions in Contextual Definition of Káà and its Postproverbial Imagination
https://doi.org/10.32473/ysr.7.2.132805
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Michael Olusegun Fajuyigbe
1-28
Contemporary Painting as Reflector of Yoruba Cultural Values
https://doi.org/10.32473/ysr.7.2.132806
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Tolulope O. Sobowale, Kehinde Adepegba, Johnson O. Oladesu
1-20
Contemporary Yoruba Heroes in Public Sculpture
https://doi.org/10.32473/ysr.7.2.132807
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Abiodun S. Afolabi
1-20
Sole Native Authority (SNA) and the People at War: A Historical Review of the 1948 Erunkoja tax Riot in Ile-Ife
https://doi.org/10.32473/ysr.7.2.132808
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Research Notes

Toyin E. Akinde
1-26
Tunrayo Ayinke Ayinla: The Unsung Burnish Black Glaze Wares Ceramist of Ilorin
https://doi.org/10.32473/ysr.7.2.132809
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