Vol. 39 (2022)
Athanor

Athanor Volume 39

Editor

Haylee Glasel

Co-Editor

Emmaleigh Huston

Technical Editors

Matthew Hunter

Layout Editor

Carlos Ortiz Burgos

Symposium Sponsor

Jean Hudson

Full Issue
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Articles

Nadezhda Gribkova
1-18
Out of Nowhere: Emptiness and Aesthetic Feeling in the Works of Collective Actions
https://doi.org/10.33009/FSU_athanor131135
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Jiaqi Liu
19-34
Ancient Or Up-To-Date? Nie Chongyi’s Design of Five Drinking Cups for the Court in the 950s
https://doi.org/10.33009/FSU_athanor131146
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Dani Putney
35-52
Sino-Filipino Artistic Collaboration: Agency via Ivory Sculpture Production in Seventeenth-Century Colonial Manila
https://doi.org/10.33009/FSU_athanor130974
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Lini Radhakrishnan
53-64
Mary Cassatt’s portraits of her sister, Lydia: Tracing signifiers of disease and impending death
https://doi.org/10.33009/FSU_athanor130984
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Mia Reich
65-80
“Framing” Kandinsky’s Painting with Red Spot (1914) : An Intervention of Abstraction and Meaning Making in The Museum Space
https://doi.org/10.33009/FSU_athanor131134
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Brandon Sward
81-94
How to make site-specific art when sites themselves have histories: Whittier Boulevard as Asco's "camino surreal"
https://doi.org/10.33009/FSU_athanor131122
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Lina Shinhwa Koo
95-110
Export Paintings as Art and Agency : Re-assessing Export Paintings of China and Korea
https://doi.org/10.33009/FSU_athanor131145
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Sam Truman
111-134
The Reader in the Cosmos: Maps and Mnemonics in a Manuscript of Goussoin de Metz’s L’image du monde [BnF.ms.fr.574]
https://doi.org/10.33009/FSU_athanor131132
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Jennifer Wendler
135-154
Reconsidering the Lacemaker: Analyzing Systems of Class, Gender, and Power in Caspar Netscher’s Lacemaker (1662)
https://doi.org/10.33009/FSU_athanor131136
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Genevieve Westerby
155-170
Pissarro at Pontoise: Picturing Infrastructure and the Changing Riverine Environment
https://doi.org/10.33009/FSU_athanor131131
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Zhenru Zhou
171-192
From Earth to Heaven: An Architectural Spectacle of the Dunhuang Mogao Caves
https://doi.org/10.33009/FSU_athanor131171
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