Vol. 15 (1997)

Contents
“The City is a Prison, the Desert Paradise”: Hagiographic Promotion of Carthusian Monasticism in the Belles Heures, Carla Funk

The Bible of Borso d’ Este: A Profile of Princely Magnificence and Christian Piety, Amy J. Wright

Partitioning the Parturient: An Exploration of the Aztec Fetishized Female Body, William L. Barnes

Habiti Antichi et Moderni di Tutto il Mondo and the “Myth of Venice”, Traci Elizabeth Timmons

Appropriation of Play in a Victorian Album: Idylls of the King and Other Poems Illustrated by Julia Margaret Cameron, Adera Scheinker

Allegorizing Representation: Gérôme’s Final Phase, Sunanda K. Sanyal

Paula Modersohn-Becker and the Discourse of Motherhood in Turn-of-the-Century Germany, Susan Kloman

The Icon and the Avant-Garde in Russia: Aesthetic Continuity in Tatlin’s Painterly Reliefs, Lauren Bartlett Nagel

The Second Moses: The Messianic Tradition in James Hampton’s Throne of the Third Heaven, Wendy Eller Kagey

A View From Within: Mark Tansey, Mont Sainte-Victorie, and the Iconography of Deconstruction, James W. Rhodes

Framing John Biggers’ Shotguns (1987): African American Art and Identity, Kristin Schreiber Roberts