A Look into Jewish Aesthetics and Abstraction

Authors

  • Leah Brand University of Florida

DOI:

https://doi.org/10.32473/ufjur.v21i1.107942

Abstract

Responding to art critic Harold Rosenberg’s notions of the state of, and even existence of Jewish art in the mid-twentieth century, this paper questions the relationship of identity and artistic practice, focusing on the creative process and theory of Ashkenazi artist, Mark Rothko. 

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Author Biography

Leah Brand, University of Florida

Leah Brand is a fourth year Art History and English dual degree student. She hopes to continue her research on the topics of abstraction, modernism, and identity in a masters program next year.

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Published

2019-11-19