A Look into Jewish Aesthetics and Abstraction
DOI:
https://doi.org/10.32473/ufjur.v21i1.107942Abstract
Responding to art critic Harold Rosenberg’s notions of the state of, and even existence of Jewish art in the mid-twentieth century, this paper questions the relationship of identity and artistic practice, focusing on the creative process and theory of Ashkenazi artist, Mark Rothko.
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