The Praise of Cultus in Ovid's Medicamina Faciei Femineae: Ethical and Aesthetic Implications

Authors

  • Dimitri Mézière Sorbonne Université

DOI:

https://doi.org/10.32473/pcgss.v1i.130427

Keywords:

Ovid, Cosmetics, Medicamina, Art, Ethics

Abstract

This paper aims to explore the complex relationship between ars and natura in the proem of Ovid’s Medicamina, which celebrates the value of cultus and serves to legitimate the art of self-adornment on the grounds of ethics. Our purpose is to point out the rhetorical and poetical ways by which the praeceptor revises received philosophical and ethical ideas about art and its proper uses in the service of his own art of cosmetics and, more broadly, of his own erotodidaxis.

Author Biography

Dimitri Mézière, Sorbonne Université

Dimitri Mézière is a Ph.D. candidate and instructor in the Latin Department at Sorbonne Université in Paris, France. He holds an agrégation in Classics and an M.A. from Sorbonne Université (2016). His research interests focus on the relationship between art and illusion in Ovid’s erotodidactic works: the Ars amatoria, the Remedia amoris and the Medicamina Faciei Femineae.

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Published

2022-03-17

How to Cite

Mézière, D. (2022). The Praise of Cultus in Ovid’s Medicamina Faciei Femineae: Ethical and Aesthetic Implications. Selected Proceedings of the Classics Graduate Student Symposia at the University of Florida, 1. https://doi.org/10.32473/pcgss.v1i.130427

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Section

Articles