The Influence of Tiken Jah Fakoly’s Reggae Music in Post-independence Côte d’Ivoire

Authors

  • Omotayo Jemiluyi

DOI:

https://doi.org/10.32473/asq.22.3.137479

Keywords:

Tiken Jah Fakoly, African reggae, Côte d’Ivoire, post-independence

Abstract

Tiken Jah Fakoly, a prominent Ivoirian reggae artist, has played an important role in the social and political development of post-independence Côte d’Ivoire. This paper explores the impact and influence of Tiken Jah Fakoly’s music on the socio-political dynamics of the country, especially as these relate to national unity, political awareness, and social movements. To assess Fakoly’s influence on the social fabric of Côte d’Ivoire, we administered a questionnaire-based survey to a diverse sample of participants. The questions included information on demographics, music consumption habits, familiarity with Fakoly’s music, perceptions of his recordings, his influence of their sense of identity, and their impressions of the impact his music has on social and political issues. The results show that Tiken Jah Fakoly’s music has had a significant effect on the attitudes of Ivoirians and has helped shape the unique character of Ivorian reggae. His music has fostered a sense of unity and solidarity among Ivorians, and it has inspired numerous individuals to take part in advocacy and activism-related activities. The outcomes of this research have broad implications for the role African music plays in nation-building processes, in the creation of a sense of cultural identity, and in the capacity to motivate political and social movements.

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Published

2024-11-04

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Section

Articles